KURUMIAN KOGAKU-DOJO BY MIHO HIRAI


September 13.2013 , Friday
” Kurumi -an early music dojo" by Miho Hirai style


高木 み帆チラシ表.jpg


Open lesson
@10:00 A11:00 B13:00 C14:00
(Please note that the scheduled turn may be slightly delayed by the lesson using harpsichord)

Lesson Fee
Solo attendant
\11,000
Ensemble attendants (one group)
\13,000

☆Only baroque pitch.

Auditor Fee
\2,000 (for all lessons)

★ Please make a reservation. We will let you know the schedule as soon as possible.
★ The players (attending a lesson) are free.


The applicants are requested to reserve and send the music
for the lecturer beforehand to the office of Noix Accordées.
( 1‐8‐20, Hattorihonmachi, Toyonaka 561‐0852)
In case different applicants want the same hour, the adjustments will be made in accordance with the mutual talks.

The lesson fee cannot be refunded in case of cancellation except for responsible reasons on the sides of the lecturer and the sponsor.
Substitution of attendant or ensemble for another person or group is acceptable.

Reservation by telephone 06‐6862‐8855
Reservation by facsimile 06-6868-0595
Inquiries Noix Accordées Office 06‐6862‐8855

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【Miho Hirai Profile】
MihoHirai.jpg

Miho Hirai studied piano with Nobutatsu Kawashima and graduated at the Tohogakuen University in Tokyo.
Later on she studied harpsichord with Chiyoko Arita and chamber music with Masahiro Arita on the Toho Gakuen College Music Department Graduate Course.
From 1994 to 1997 she studied harpsichord with Jaques Ogg and chamber music with the Kuijken’s at the Royal Conservatory in Den Haag (Holland) for her post- graduate Diploma.
She performed in various European cities and at Festivals such as the Holland Festival of Early Music Utrecht and the Haags Gemeentemuseum.
In 1997 she returned to Japan where she iskept busy with concerts and recordings.
She has appeared on TV ina programme on gesturein Handel’s Operas for The university of the air and has lectured on Handel’s Sonatas for violin at the Daito Bunka University.
She also recorded “Affetti cantabili” for Entr?e receiving an excellent review in TherecordGeijutsumagazine.Sheisappreciated for her accuracy of style and original ideas in practising continuo,
and has played with Japanese ensembles such as Conversum Musicum, Orchestra Ensemble Kanazawa, and with the cellist Ludovit Kanta both in concerts and in recordings.
She plays with La f?te galante and has made two CDs of 18th century French music, “Les plaisirs de Paris” and “La f?te galante”.
e-mail: hirai_miho@nifty.com
homepage: http://homepage2.nifty.com/hirai_miho/


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KURUMIAN KOGAKU-DOJO BY GENZOH TAKEHISA


August 24 2013, Saturday

” Kurumi -an early music dojo" by Genzoh Takehisa style

Open lesson
@9:00 A10:00 B11:00 C13:00 D14:00
(Please note that the scheduled turn may be slightly delayed by the lesson using harpsichord)
Lecture
16:00-17:30

Lesson Fee
Solo attendant
\13,000
Ensemble attendants (one group)
\16,000

Auditor Fee
\2,000 (for all lessons)
\3,000(lecture)
\5,000(for all lessons+lecture)

★ Please make a reservation. We will let you know the schedule as soon as possible.
★ The players (attending a lesson) are free.


The applicants are requested to reserve and send the music
for the lecturer beforehand to the office of Noix Accordées.
( 1‐8‐20, Hattorihonmachi, Toyonaka 561‐0852)
In case different applicants want the same hour, the adjustments will be made in accordance with the mutual talks.

The lesson fee cannot be refunded in case of cancellation except for responsible reasons on the sides of the lecturer and the sponsor.
Substitution of attendant or ensemble for another person or group is acceptable.

The attendants and the auditors are invited to join
the refreshments gathering with Genzoh Takehisa after the lessons.

Reservation by telephone 06‐6862‐8855
Reservation by facsimile 06-6868-0595
Inquiries Noix Accordées Office 06‐6862‐8855



【 Lecture 】
How to our harpsichord dance

In the eighteenth century, harpsichord began to get various possibilities of
expression: that this, gorgious sonority of large body, variegated options
of stop manipulation, two or three keyboards with coupler, etc.
We are sometimes so dazzled by these attractive aspects of the latest
development of the harpsichord.

Primarily speaking, however, harpsichord sound has abundant overtones and
programmed messa di voce(so-called bloom effect).
Understanding these important qualities of the sound,
and with the skill of the feedback of performing and listening-to the sound,
in other words, the interplay of feeling and doing inside of our musical
mind,
we are able to lead our music to "cantabile" on the harpsichord.


【 Genzoh Takehisa Profile 】

905721_444738045612427_1447266218_o.jpg


Genzoh Takehisa completed his guraduate studies at Tokyo National University

of Music and Fine Arts. He was a judge at International Harpsicord Builders
Contest in Atlanta (1991) and Early Music Competition in Yamanashi (1997,
2001). Since 2000 he has led Conversum Musicum, instrumental and vocal
ensemble. As a keyboard player he has a large repertoire and has made
numerous CD recordings, including his producing works.
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KURUMIAN KOGAKU-DOJO BY GENZOH TAKEHISA


May 6 2013, Monday
” Kurumi -an early music dojo" by Genzoh Takehisa style

武久源造チラシレクチャー非公開レッスンあり0412.jpg


Open lesson
13:00, 14:00, 17:00, 18:00
(Please note that the scheduled turn may be slightly delayed by the lesson using harpsichord)
Lecture
15:30-16:30

Lesson Fee
Solo attendant
\10,000
Ensemble attendants (one group)
\13,000

Auditor Fee
\1,000 (for each lesson)
\3,000 (for all lessons)
\2,000(lecture)
\4,000(for all lessons+lecture)

★ Please make a reservation. We will let you know the schedule as soon as possible.
★ The players (attending a lesson) are free.


The applicants are requested to reserve and send the music
for the lecturer beforehand to the office of Noix Accordées.
( 1‐8‐20, Hattorihonmachi, Toyonaka 561‐0852)
In case different applicants want the same hour, the adjustments will be made in accordance with the mutual talks.

The lesson fee cannot be refunded in case of cancellation except for responsible reasons on the sides of the lecturer and the sponsor.
Substitution of attendant or ensemble for another person or group is acceptable.

The attendants and the auditors are invited to join
the refreshments gathering with Genzoh Takehisa after the lessons.

Reservation by telephone 06‐6862‐8855
Reservation by facsimile 06-6868-0595
Inquiries Noix Accordées Office 06‐6862‐8855



【 Lecture 】
How to our harpsichord sing

In the eighteenth century, harpsichord began to get various possibilities of
expression: that this, gorgious sonority of large body, variegated options
of stop manipulation, two or three keyboards with coupler, etc.
We are sometimes so dazzled by these attractive aspects of the latest
development of the harpsichord.

Primarily speaking, however, harpsichord sound has abundant overtones and
programmed messa di voce(so-called bloom effect).
Understanding these important qualities of the sound,
and with the skill of the feedback of performing and listening-to the sound,
in other words, the interplay of feeling and doing inside of our musical
mind,
we are able to lead our music to "cantabile" on the harpsichord.


【 Genzoh Takehisa Profile 】

905721_444738045612427_1447266218_o.jpg


Genzoh Takehisa completed his guraduate studies at Tokyo National University

of Music and Fine Arts. He was a judge at International Harpsicord Builders
Contest in Atlanta (1991) and Early Music Competition in Yamanashi (1997,
2001). Since 2000 he has led Conversum Musicum, instrumental and vocal
ensemble. As a keyboard player he has a large repertoire and has made
numerous CD recordings, including his producing works.




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